Tag: FACA
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Intervention Reflective Report – Beyond Accommodation : Universal Design for Post-Digital Fine Art Studio Spaces.
1. Introduction As the Lead Specialist Technician of the Fine Art Computational Arts (FACA) courses I occupy a unique position at the intersection of technology and Fine Art practice. My role involves the design and maintenance of FACA technical resources, ensuring their ability to inspire and enhance artistic expression. In this capacity I increasingly recognise…
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Intervention summary proposal : The FACA Technical Inclusivity Model.
Over the course of the last two years I have migrated the Fine Art Computational Arts (FACA) technical online resources from Moodle to Microsoft SharePoint in order to create a more holistic communications, learning and services system for the FACA course.This was a huge undertaking that required me to build a new digital identity for…
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Blog Task 3 : Intersectionality and Race.
Within the provided resources we encounter a range of perspectives on how institutions and their subjects are affected by policies designed to address systemic racism and inequality. In this post I hope to examine the resources and provide some reflective guidelines for the Fine Art Computational Art (FACA) technical team. Analysing the Resources : Bradbury…
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Technology & Classroom Layout.
Since taking part in the PG Cert observed practice sessions with photography technician Reinis Lismanis and my tutor John O’Reilly, I’ve been thinking a lot about technology and classroom layouts. I’ve also been pulling up some interesting studies on classroom layout for some inspiration for some tech feng shui! Both Reinis and John commented that…
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Case Study 3. Re-Assessing the Fine Art Computational Arts (FACA) Technical Workshops Program.
Re-thinking the delivery strategy. As a technician on Camberwell’s Fine Art Computational Arts course I am solely responsible for organising and structuring the workshops program alongside academic feedback. I have identified a requirement for assessing student engagement with the technical workshops program in order to ensure parity of access across the Computational Arts cohorts. This…
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Case Study 2. Effectively Enhancing Student Computer Literacy and Engagement With Industry Standard Tools.
Key Observations. Whilst it is assumed that students starting the Fine Art Computational Arts course may have a core interest in exploring technology as a part of their evolving art practices, it has become evident from my 4 years working on the course, that many Computational Arts students struggle with computer literacy. In this case…
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Case Study 1. Observing Diverse Personal Access to Computational Learning.
Identifying a Lack of Access to Technology. The Fine Art Computational Arts pathway was conceived of 4 years ago at Camberwell College of Art to allow for experimentation within the Fine Art department in contemporary technological studio practices. My role as the Lead Specialist Technician on the course is to support the development and learning…
